Cinematology Journal Anthology of Film and Television Studies
The Aesthetics and Film Sciences Expertise is a group of expertise that covers areas of study that are more scientific and related to film practice The subjects included in this expertise are in the scientific areas of Television Film History Television Film Studies Film and Television Semiotics Film and Television Aesthetics Archipelago Cultural Analysis Methodology Film and Television Production Management Media and Cultural Literacy and Film and Television Criticism Television developed in the FTV curriculum This KBK is more related to the profession of filmmaking practitioner directors producers editors camera engineers sound engineers artistic directors film actors documentary filmmakers casting action and visual effects such as screenwriters critics film historians film curators film lecturers film managers and experts film conservation Popular culture and mass media have a relationship like two sides of a coin knitting into an inseparable whole The popularity of a culture is very dependent on the mass media to be introduced and then become part of peoples lives For the mass media constructing and exposing culture to be popularized has become the pulse of life It is not surprising then that todays mass media are familiar as creators and owners of popular cultural content In addition to marketing the culture itself the media also tries to always present programs that are loved by the community While in the Motion Picture Aesthetics KBK the focus is on the profession of film and other motion picture practitioners such as animation the KBK for Media Studies and Popular Culture tries to see the potential of other professions that do not only study moving pictures Producer profession content production related to the broadcasting industry to studies related to programs carried out in other work practices which are related to the process of disseminating information to a wide audience So the professions that are part of the main focus in the KBK for Media Studies and Popular Culture are important factors especially in the current era of new media
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<![CDATA[Archaeological Perspectives on Indiana Jones And Raiders: The Lost Ark ]]>
<![CDATA[Siti - Nurmala]]>;
<![CDATA[Salsa Solli Nafsika]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40676
<![CDATA[Indina Jones and The Raiders: The Lost Ark is a 1981 American action adventure film in which Harrison plays Indiana Jones, an archaeologist who travels the world competing with Nazi Germany in 1936 to find the Ark of the Covenant, which has long been lost. The research method used in this study is a qualitative approach and semiotic analysis of Charles Sanders Pierce. Sources of data obtained from this research are watching the movie Indiana Jones and The Raiders: The Lost Ark which is then selected visuals or images from scenes in the film that contain archaeological elements, as well as secondary data obtained from literature studies that can support primary data in this research. The purpose in writing this article is to analyze and discover the archaeological meaning in the film Indiana Jones and The Raiders: The Lost Ark. The data collection technique used in this study is an observation technique by analyzing and watching and observing carefully from each scene and dialogue in the film Indiana Jones and The Raiders: The Lost Ark, then recording and analyzing according to the research method used, namely by analyzing the scene. using the semiotic analysis of Charles Sander Pierce with categories of icons, indexes and symbols.]]>
<![CDATA[The Unique Side of Luscious Natural Soap Ads ]]>
<![CDATA[LUTHFI IHWANUDIN IMANI]]>;
<![CDATA[TM RAYHAN AL RASYID]]>;
<![CDATA[Harry Tjahjodiningrat]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40191
<![CDATA[Advertising is a form of business of a company, organization, or individual that aims to provide a persuasive message by promoting and offering a service, product, or idea to the wider community through print, audio, visual media, or a combination of both, namely through video media. Audio visual. Video advertisements are often found on television and online media such as social media such as Instagram and YouTube platforms. Luscious Natural is a brand from Bandung that is engaged in the field of beauty and health. Luscious Natural produces goods in the form of soap bars and liquid for the face and body made from natural ingredients as the name suggests, which has a unique form of soap products, one example being a soap bar in the form of cakes and food. Apart from the shape, this brand also offers soap with a variety of colors and themes that are unique and look artsy visually that can be ordered specifically or custom. In dissecting this advertisement, the researcher uses qualitative research methods and uses the Applied Media Aesthetics approach proposed by Herbert Zettl to dissect the aesthetic and semiotic values contained in the advertisement on a scene-by-scene basis. It is hoped that with the results of this analysis, researchers and spectators can find and know values that are deeper in meaning and not only in terms of the context of their visual beauty. ]]>
<![CDATA[Changes in Attitudes of Annelies in the Film “Bumi Manusia” by Hanung Bramantyo” ]]>
<![CDATA[Bismil Tirta Jalisman]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40698
<![CDATA[Film as an art of moving images, intellectually, humans can see an event more real. Through film shows, each scene can be more easily read and understood because through the senses of the human eye it is directed to one scene perception. This study discusses changes in the attitude of the main character in the human world, namely Annalies. The problem discussed in this study is the change in the attitude of the main character in the film "Bumi Manusia" by Hanung Bramantyo. The aim is to find and describe changes in attitudes, especially in the Annelies cast. This qualitative descriptive research uses content analysis techniques related to semiotics, with data sourced from films. The results showed: 1) Annelies, who originally loved her native land, had to leave and go to the Netherlands; 2) Annelies, who originally loved her husband Minke, had to leave Minke to go to the Netherlands, and 3) Annelies, who originally had a close relationship with her mother, Nyai Ontosoroh, had to leave her and go to Holland. The implications of this research can be a reference for filmists in seeing visual meanings to capture messages more deeply.]]>
<![CDATA[Messages of Da'wah in the Film “Ajari Aku Islam” ]]>
<![CDATA[Muhammad - Subarkah]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40520
<![CDATA[Da'wah activities have also grown rapidly in the world of film, including the Film Ajari Aku Islam which looks at the attitudes and actions that non-Muslim men and Muslim women must take when they fall in love. In this film, there are many lessons about young people who never give up on learning Islam. Although, it begins with falling in love with his human being and then in love with his religion. Currently, this phenomenon often occurs today, how the journey of love between different religions makes them blocked by blessing. Then, they chose to change their religion which made their lives further away from their previous religion. Based on this phenomenon, further studies are needed regarding this problem by examining the da'wah messages contained in the film Ajari Aku Islam. The process of understanding the message of da'wah uses the semiotic analysis of Charles Sanders Pierce. The purpose of this study was to determine the message of da'wah in the film Ajari Aku Islam based on Charles Sanders Peirce's analysis. Based on the object, namely the icon, index, symbol. The type of research used is qualitative with descriptive method. The results of this study indicate that the film Ajari Aku Islam which has a duration of 93 minutes contains da'wah messages, namely about religion, morality, help, forbidden to come into contact with non-mahrams, iqra as a tool for learning the Koran, advice and converts. Thus, this film can also be an example for those who are in love with different religions.]]>
<![CDATA[Semiotic Analysis of Racism Using IP Man 4: The Finale ]]>
<![CDATA[Muhammad` Afra Masyhur]]>;
<![CDATA[Suprayogi Suprayogi]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40712
<![CDATA[Racism, prejudice and discrimination are complex things that occur in this world, according to Baldwin (2017) this is a broad social phenomenon and a field for research, complicated by the fact that intolerance exists in internal cognition but manifests in the use of symbols (verbal, nonverbal). , mediation), law and policy, and social and organizational practice. It is based on group identification (ie, understanding and treating a person or persons in terms of outgroup membership); but those outgroups can range from better-known outgroups based on race, gender/gender, nationality, or sexual orientation to more specific intolerance of others based on political party, fan status, or membership in some groups perceived as "blonde". " or "athlete." This article begins with the relationship of culture to prejudice, paying attention to certain culture-based prejudices about ethnocentrism and xenophobia. It then explores the degree to which prejudice might manifest, finally arriving at the specific focus of prejudice—racism; however, what applies to racism may also apply to other intolerances such as sexism, heterosexism, classicism, or ageism. This article considers that the issue of racism can occur because of the motivation that causes this to use Charles Peirce's semiotic theory.]]>
<![CDATA[Roland Barthes' Semiotics Analysis on the Film "Nanti Kita Cerita Hari Ini" (NKCTHI) by Angga Dwimas Sasongko ]]>
<![CDATA[SelviYani - Nur fahida]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40622
<![CDATA[Film in a narrow sense is the presentation of images through a wide screen, but in a broader sense it can also include those broadcast on TV. Film is one of the mass media in the form of audio-visual and its nature is very complex. The film becomes a social discourse with unique characteristics that spread to various places, and the psychoanalytic perspective of film to influence the way of thinking related to perception and value suitability in which the information is communicated. Films in general also raise a theme or phenomenon that occurs in the midst of society. One of them is the film "Nanti Kita Cerita Hari Ini" (NKCTHI) directed by Angga Dwimas Sasongko. The film Later We Tell Today (NKCTHI) is the 13th film directed by Angga Dwimas Sasongko which was adapted from the book of the same name by Marchella FP. Unlike other film adaptations, NKCTHI's book only contains quotable words. The touching messages in this book are then turned into a scenario in the form of a complete story. In this study used qualitative research methods using the method of Content Analysis or content analysis. The main instrument in this study is the researcher himself who conducts direct research such as watching, listening and understanding the film "Nanti Kita cerita Hari Ini" (NKCTI), using Roland Barthes' semiotic theory, which focuses on the idea of two orders of signification. ). There are three aspects that show that in the film "Nanti Kita Cerita Hari Ini (NKCTHI)" it does not only have a general meaning but also has a denotative meaning, connotative meaning and myth.]]>
<![CDATA[George Short Movie's Search for Semiotic Aspects ]]>
<![CDATA[Kharris Nur Qotimah]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.41026
<![CDATA[George's film tells of a tall man with a yellow hat named Ted who is assigned to get artifacts for museum needs, then Ted or better known as the yellow hat goes to Africa to get valuable artifacts that are useful for attracting many visitors to the museum where he works. On the way, he meets a brown monkey who is always curious about anything. The yellow hat named the monkey by the name of George and they became friends and lived in a hotel in the middle of the city. The purpose of this study was to determine the semiotic aspects contained in the cartoon film "George Short Movie" which is looking for some parts of the semiotic aspect which include index, icon, symbol. The method used in this research is a qualitative descriptive method. Qualitative descriptive method is a research method based on the philosophy of postpositivism which is used to research on a natural object condition, where the researcher is the key instrument of data collection techniques carried out by trigulation (combined), data analysis is inductive/qualitative, and qualitative research results emphasize more meaning rather than generalization. This qualitative descriptive research aims to describe, describe, explain, explain and answer in more detail about the problems to be studied by studying as much as possible the chosen subject. Data collection is carried out using digital communication tools in the form of cellphones so that the values contained in the George Short Movie can be seen in detail and clearly. The results of this study indicate that in this George Short film cartoon, there are insights, namely index, icon, symbol, as the meaning used to communicate the story visually.]]>
<![CDATA[Cultural Values in the Film Barakati ]]>
<![CDATA[Annisa Mutmainah]]>;
<![CDATA[Dedi Warsana]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40632
<![CDATA[The film “Barakati” is a historical and adventure genre film that combines cultural elements from Buton Island and Yogyakarta. This film tells the story of an expedition involving a young archaeologist, a foreign journalist, a woman from Buton, and also someone who is a descendant of the Majapahit Kingdom. The method used in this study is a qualitative research method. Qualitative research methods are descriptive and analytical methods. In this study, a description of the results of observing the plot of this film was carried out which was then analyzed against the cultural values contained in the film "Barakati". The analysis is in the form of a culture that seems to be still thick with the region, whether it is in the culture on the island of Buton or in Yogyakarta. In this study, the analysis used to describe cultural values in the film "Barakati" is Charles Sanders Peirce's Semiotic Analysis. Charles Sanders Peirce divides signs into 3, namely: icons, indexes and symbols. The results obtained in this study show the cultural values contained in this film. These cultural values are historical objects whose existence is still maintained today. The existence of these historical objects has the meaning and characteristics of each depending on its function. Cultural values related to these historic objects must also be preserved because they are cultural assets as a marker or cultural identity of a nation.]]>
<![CDATA[Reading Norms and Social Roles on Film “KTP” ]]>
<![CDATA[Davinta Alifia]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.41102
<![CDATA[As an Indonesian citizen, there must be norms that must be considered in daily activities as social beings. Norms act as values of decency that are embraced by the whole society. In addition, the community also has their respective social roles in a group. Many short films picture the reality of people's lives, one of which is the film 'KTP'. Based on this, the author wants to describe the norms and social roles contained in the film 'KTP'. The author uses a qualitative descriptive method by focusing on the analysis of Charles Sanders Peirce, namely by paying attention to the icon (icon), index (index), and symbol (symbol). The observations obtained are that in the 15 minutes 33-second KTP film, there are norms and social roles that are conveyed, including greetings, procedures for visiting and receiving guests, deliberation to reach consensus, as well as an overview of the social roles prevailing in society. This film clearly shows a portrait of the reality of the social life of the Indonesian people through a dynamic approach.]]>
<![CDATA[Reading The Sign and Marker of Friendship in The Movie The Guys ]]>
<![CDATA[Alifa Johariyah Ulfah]]>
<![CDATA[ Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies ]]>
Publisher : <![CDATA[Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik ]]>
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DOI: 10.17509/ftv-upi.v1i2.40669
<![CDATA[This study describes a semiotika research with the theory that Charles Sanders Pierce, with his main object is a film titled The Guys. The film is raised by the author because it is interesting, and many things that are a sign with the contents of the film explaining a friendship that struggled together to achieve their respective goals. This article aims to find out a marker sign in the film and the meaning contained. This research used a descriptive qualitative method. With qualitative methods and technical analysis of semiotika data in the film, this guys collected. In this study, the authors discovered the 17 that appeared and could be interpreted as a sign with the theory of Charles Sanders Pierce through his object angle (icon, index, and symbols).In this study discussed three main points of semiotika seen from the perspective of their objects, index and symbols. as for the icon to discusses the signs and markers are simultaneously, index discusses the reason, and symbols is a natural relationship between the signs and markers. Research suggests that each is done can be a meaning and a sign of a goal. Because no one is a sign except interpreted as a sign. This research can be a reference for the next research in the context of semiotic analysis choosing a film as a research subject. According to the results of the semiotika study, they carried the object that became very interesting, because it appears that the development of the film is so rapidly and fast to attract and be able to move the audience.]]>
